Elsa Hosk at the 2019 Cannes Film Festival
Oquendo shifted gears with this second client of the day. Whereas Bloom's makeup was all about shine and glow, with Hosk he kept her makeup on the matte side of the spectrum. "Her skin had a velvety finish, which we did by using a very light layer of Nars Sheer Glow Foundation and topping it with powder," he explained.
"We kept her eye shadow very, very matte and used very pale colours," said Oquendo. After laying down a base of white cream shadow all over her lids, he then buffed taupe-coloured powder shadows on keep the whole effect "creamy and pastel."