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Slide 2 of 3

  • On Lover being her favourite album yet: "There are so many ways in which this album feels like a new beginning. This album is really a love letter to love, in all of its maddening, passionate, exciting, enchanting, horrific, tragic, wonderful glory."
  • On sexism in the music industry: "When I was a teenager, I would hear people talk about sexism in the music industry, and I'd be like, I don't see it. I don't understand. Then I realised, as an adult woman, that was because I was a kid. Men in the industry saw me as a kid. Cause I was a lanky, scrawny, overexcited young girl who reminded them more of their little niece or their daughter than a successful woman in business or a colleague. The second I became a woman, in people's perception, was when I started seeing it. It's fine to infantilize a girl's success and say, How cute that she's having some hit songs. How cute that she's writing songs. But the second it becomes formidable? As soon as I started playing stadiums — when I started to look like a woman — that wasn't as cool anymore."
  • On being scrutinized for writing songs about her exes. "I wanted to say to people, You realise writing songs is an art and a craft and not, like, an easy thing to do? Or to do well? People would act like it was a weapon I was using. Like a cheap dirty trick. Be careful, bro, she'll write a song about you. Don't stand near her. First of all, that's not how it works. Second of all, find me a time when they say that about a male artist: Be careful, girl, he'll use his experience with you to get — God forbid — inspiration to make art."