"We did maintain the same colour palette as this was our director Michael Fimognari's brilliant vision, who directed both TABT2 and TABT3. We did choose to go to the bright end of the colour palette in Korea as it was a joyful time with the family all together. Seoul is a very colourful city with its lively markets, so we really wanted to show that. The NYC setting of the film takes place in late spring, so we kept a similar palette and chose to keep to lighter pastel colours."